Snowy Mourne Mountains

Wednesday 27th March and we woke to a good covering of snow. Between sick children and the last day of school, the kids didn't get out to enjoy it and by the time school was over it had melted. The dogs did enjoy rolling about in it.

Whilst it didn't last long in my area, I live near the Mourne Mountains and can see they are still completely white and covered with snow. Friday night, avalanche warnings were given out for some of them. The roads are clear and the mountains are now passable so we took a drive through them on Saturday afternoon. I've included some photos, below, showing our journey, heading for Spelga dam, via Hilltown and down to Kilkeel, driving back through Bryansford.

The contrast between the green lower lands and the pure white of the high Mournes, as they meld with the sky was spectacular. We had some fun with snowballs and watched the sledgers and snow-boarders making the most of the remaining snow.

There has been a lot of news coverage about the hardships faced by so many throughout Northern Ireland in this unseasonal cold snap. The height of the snow pushed to the sides of the road and still covering some houses, brought home how difficult it's been for some people.

The wall of Spelga Dam

Partially Frozen Dam

Ice In The Dam

Sledgers By Spelga Dam

The mountain ahead was covered in sledgers and some snow boarders. Photo also shows the height of snow pushed off the road.

Mountains, dam and sky melding

Tops of a snow covered fence

Irish Sea and Kilkeel in the distance

Near Bryansford & Tollymore

Opening Lines

I've read a lot of writing books, tweets and blog posts saying how important the opening line to a story is. Writers must work hard to avoid cliches and grab the reader with it.

I know the first sentences are probably the most often changed in my own novels.

When I write a novel, my first draft usually contains too much backstory and character building as I develop an understanding of my characters and their stories. This means the first draft doesn't open where the story begins and I'll end up cutting my first chapter, weaving elements of it into later chapters as I edit. I'm sure I'm not alone in that.

No matter which draft I'm working on I keep going back to the initial lines, trying to hone them. I want to draw the reader in, get them interested in the setting, plot or characters (or better still all three) but it's very difficult to achieve.

So, here are the latest versions of the opening paragraphs for The Glass House and for the rewrite of Twisted Truth (now Finding Us). 

The Glass House:

Caitlin ground her teeth in rhythm with the ice machine in her sister's oversized, glossy fridge-freezer. It whirred and cracked, spitting shards of ice into the glass Niamh held under it, before filling it with purified water.

'Sure you don't want one?' Niamh turned, holding her glass up to Caitlin.

'We live in the West of Ireland and it's January. Freezing cold water isn't going to warm my bones.' Caitlin shuffled the gardening manuals spread across the island in her sister's kitchen, wishing Niamh would have the sense to offer her a hot drink.

'More fool you for choosing a career that leaves you outside most of the day.'

Caitlin rifled through the pages, marked with sticky notes, to find the next one she'd highlighted.

'Look, just tell me what you think about these.' She gestured towards the page. 'What about the Clematis montana, this honeysuckle, maybe the winter flowering jasmine and an evergreen cistus?'

'I've no idea what any of those are.' Niamh flicked her hand backwards across the books. 'You choose.'

'Won't you at least look at the pictures?'

'As long as you get rid of what's out there and plant something new I couldn't care less what it is. Besides, I trust you.'

'Sometimes I despair of you,' Caitlin said, pushing a stray curl back into her pony-tail. 'I'm never going to convince you gardening is good for the soul, am I?'

'You inherited those genes,' Niamh replied, holding up one hand, the sparkling, well-tended talons on display. 'I much prefer nail extensions to green fingers, thank you very much.' Setting the glass down on the gleaming surface, Niamh pushed the gardening manuals closer to her sister. Caitlin accepted them, revealing her stubby finger nails. The skin on her hands coarser than Niamh's and stained from the green and brown of plants and soil, the tools of her trade.

'Lucky you found a rich man to marry then.' Caitlin tucked her hands between her jean clad, legs, shifting on the uncomfortable bar stool, watching her sister bristle as she grabbed the edge of the granite.

'Ah for God's sake, don't get on your soap box again.'

'My little sister marries some divorcee, with a daughter closer to her age than he is, and I'm just supposed to shut up and accept it.'

'Honestly – yes. It's my life, I've made my choices and it's about time you learnt to respect that.'

'Respect. That's a laugh. Not a word I'd link with your husband and his finances.'

'You can be such a judgemental cow,' Niamh said, slapping the books laid out before her. 'And don't forget, it's Tom's generosity paying for your services.'

Caitlin opened her mouth to reply that he hadn't paid for anything yet but the noise of the phone ringing stole Niamh's attention.

Finding Us:

This is what happens when your best friend disappears, your mother's driving you loopy and work's taking over your life. You go out with a group of crazy friends, drink far too much, especially when it's only mid-week, and wake-up to find you aren't in your own bed and all you're wearing is yesterday's make-up and some hairy arm.

Trying to peel the offending arm off her stomach and roll out off the bed undetected, Charlotte cursed Katie for lining up all those shots and herself for not making a 3 am flit.

Retrieving her dress and underwear she tip-toed from the bedroom, steadied herself against a sofa and dressed. Searching the combined kitchen and slob-out room she stumbled over her shoes, stabbing her toe with the spiky heel.

Charlotte tried pulling on the hem of the dress but couldn't make it reach her mid-thigh, never mind the knee length suitable for work. Releasing the security chain and teasing the door handle downwards, she slipped out of the stranger's flat. What to do now? Make the walk-of-shame into work wearing last night's clothes or a mad dash home to change. Over-stuffed Tube or a taxi stuck in rush-hour traffic? Charlotte closed her eyes and pinched the bridge of her nose. Her choices all lead to one thing; she'd be be late, the last thing she needed.

The Glass House is women's fiction and deals with the difficult relationship that has developed between two sisters, exploring how rumour and bad judgements can alter perceptions of people. Caitlin is the earthy type, preferring the sanctuary of her restored Victorian Glass House to the sparkling, modern home and material items Niamh adores. I hope the opening lines set the tone for the tension brewing between them, whilst showing they are everyday women, the reader can identify with.

Finding Us is also women's fiction but has lighter elements of romance and chick-lit. Charlotte's a workaholic solicitor with a phobia to commitment. Her best-friend's pregnancy is a surprise but it brings a bigger shock into Charlotte's life; Mark Porter, her first and only love. He disappeared, from their town in Northern Ireland, thirteen years ago and now he wants a second chance. Charlotte's tempted but she has a secret to protect and finding each other could risk revealing it. 

I'm still not sure whether I've cracked it with these beginnings and I think I could spend the rest of my life rejigging them because I know how important it is to get them right.

If you'd care to share, I'd love to hear some of your first lines and how you go about deciding the best way to open your stories.

For anyone who wants to read some of those articles I mentioned, here's a selection of links to get you started:

Darley Anderson: How Not To Start Your Novel
Writers House: Chapter One
Emma Darwin: Finding The First Line
Writing.ie: Worst Opening Sentence Ever
Writing.ie: Opening Lines
Moodywriting: Beginnings And Their Endings

Getting Published

A subject dear to the heart of so many writers. Is my writing good enough to be published? If yes, do I seek an agent who will help me find a publisher, submit directly to a publisher or do I self-publish? In either situation do I pay for a writing course, a literary consultancy or an editor before submission or publication?

Writing a novel is only the beginning. There are so many other issues to consider after you've written the ending and, as an unpublished, unknown, it feels like breaking through is almost impossible.

There are countless stories on the internet of the struggles some authors have gone through before being published, all of them telling you not to give up on your dreams. Then I read books like Carole Blake's From Pitch to Publication and there are some reality checks in it about how far down an agent's list of priority the unsolicited manuscripts are.

All of this is going on within the shifting publishing landscape.

I blogged recently about the need for an online presence and how necessary it is even for unpublished writers to build their own brand. I think this blog post from Authonomy, a Harper Collins owned website, expressing the view that self-publishing is 'a powerful incubator for writing talent' is a step on from that discussion.

The Authonomy post could be saying that publishers are not taking risks on new authors. They aren't going out looking for them and they want writers to do their own publicity. They want an author to make a name and a success of their books before they will invest, putting their name behind the book. Now, there's nothing new in an author having to do some marketing and publicity. How many authors have to do book tours, signings, interviews, workshops and readings? That's always appeared to be part of the job to me. The difference here is that Authonomy appear to be saying that new writers need to do all their own editing, publishing, cover design and marketing to sell a few thousand copies in order to attract an agent or a hundred thousand sales to get a publisher's attention. So, if a new writer can only get noticed by spending all this time publishing and marketing their own book to the point that they sell in these figures why do they need a traditional publisher at all and how much time will that leave them for actually writing?

The Authonomy article cites the success of writers, such as E L James, Amanda Hocking and Nick Spalding. Closer to home Leesa Harker signed with Blackstaff Press after she created a noise on social media with her Belfast based parody of Fifty Shades.

I'm still digesting this latest news and trying to decide where it leaves new writers like myself but one thing it has shown me is that publishers are even more reluctant to take on new writers than I previously believed. It looks like they want to avoid all risks and you have to show yourself capable of grabbing readers and sales before they'll consider adding their logo to your book in return for a cut of the cash.

So, do we give up on the dream of traditional publication? Do we self-publish instead or do so hoping that it will still lead to traditional publication?

Impulse - A New Imprint

Harper Collins are calling for submissions to their new digital first imprint - Harper Impulse. They want to hear from romance writers with completed manuscripts of any length.

For more information check out their Facebook page and an interview with Kim Young, Publishing Director at Harper Fiction.

Research

As readers of this blog will know, I write women's fiction. I'm interested in every day people and the sort of trials and tribulations they can face, as well as the happiness and fun they enjoy. I read a lot of women's fiction but I'm also drawn to thrillers and have a legal background so I tend to write a twist or two into my stories.

In some ways that means I don't have to do a lot of research as I can create characters in todays world and draw on my own knowledge and experiences. That doesn't mean I never have to do research and, whilst it may not have to be as in-depth as say those who write historical fiction or crime, there are always elements that I want to understand better.

In The Glass House it included researching criminal laws and penalties, discussing the making of television programmes with a friend from that industry. It meant researching certain plants, their growth, cultivation and harvesting and, in some cases, their toxicity. I also spent time trying to find some recipes that were a little bit out of the ordinary for the challenges the celebrity chef would face. That information I could glean from books and the internet.

The first manuscript I completed was Twisted Truth. For it I had to go back to the law books and spend time considering international commercial law and, as there is a Malaysian aspect to the story, I checked certain facts with the Law Society. I'm not satisfied with that manuscript and it's facing a complete rewrite.

One element of my latest work is adoption and I'm thinking about what would happen if an adopted child sought out their birth parents. I'm considering the impact of social media upon our adoption laws and rights of access between birth parents and children. There's plenty of information out there on the issue but to clarify some of it I looked for an authority on the subject and needed particular advice about adoption laws in Northern Ireland. That's when I found BAAF  - the British Association for Adoption and Fostering. They cover England, Scotland, Wales and Northern Ireland and promote high standards of practice, aiming to be a voice for children separated from their birth parents. I contacted the Northern Ireland branch and want to use this post to mention and thank them. They gave no hesitation in helping me research the topic and point me towards further information. This link will lead you to the BAAF page for Northern Ireland but you can access the pages for England, Scotland and Wales from it. The NI branch also deal with enquiries from the Republic of Ireland. 

Online or Not Online?

I keep seeing articles on blogs and websites, hearing writers who've attended writing courses and workshops, say how important it is for an aspiring author to build their own brand. The world is money shy and publishers don't want to take risks on those who don't have a name or a band of followers. I've heard it touted that being an outgoing and flamboyant personality online is a necessary step on the road to publication and that it all reflects the promotion you'd have to do if your manuscript does get picked up.

As I see it, one problem with all of these ideas is that unless an agent or publisher notices your activity they probably won't know you exist. If you read any of their websites they all say how busy they are and that's why it takes them a while to get back to you about your submission. They have existing clients, who are earning them money, to look after. So, I'm guessing they don't have a lot of free time searching twitter, or any other online source, in the hope of finding a new client.

You could of course mention some of your attempts at own branding in a submission letter but, if you're including chapters with it, I'm sure most writers would be happier to think it's their writing that grabs the agent/publisher, not how many followers they have on twitter.

The other issue is, these activities take time and when you start with them you can get sucked in and distracted. Time that could have been spent writing, editing and submitting.

After reading this you might think I'm anti-online but I belong to a few online writing communities, I tweet and use Facebook, I have this blog and I still manage to find time to write. These activities do have advantages. You can chat to others interested in writing any time of the day or night, you can learn more about the craft of writing, find out what some agents like and dislike, do some research on them prior to submission. I've found the writing communities a way to get reviews on manuscripts to help me identify what's working and what's not.

So, as if I wasn't online enough already, I've joined another one. Wattpad now has a chick-lit section and I've added the opening chapters for The Glass House and Finding Us to it.
Wattpad

Whether you are self-publishing or hoping to go down the traditional route to publication, what are your feelings on the need to be seen online and what methods do you use to try and build a name for yourself?

New Writing Website

SkyPen, is the new site from Blackstaff Press. They call it the 'home of cloud based writers' and it has sections for creative writing, poetry and non-fiction. There's also a blog and information on literary events, writing courses and competitions.

I heard about it through twitter and joined up.

There are several pieces of writing being posted with the phrase Sky Pen and I had a go at a short story for it - Fifty Days To...