Pace and Structure

I belong to two online writing groups. On each you upload chapters of your manuscript to seek reviews from other writers. I've been getting some very encouraging reviews for my current work in progress, The Glass House. Although the name is in a state of flux as I search for a new title. These are snippets from recent comments:

After a crappy day at work I was very happy to read 'The Glass House'. I really enjoyed this. In part because Caitlin is a very engaging character...I hope to see her use her undoubted yet hidden...ish charms on the local menfolk.

I enjoyed the family relationships and excellent Irish banter...and despite myself also rather liked Niamh and her nouveau riche ways!

I also liked how the story was about to have a large change of direction with the introduction of the presumably rather challenging Ellie....

All in all a thoroughly good read....I would read more.

What a fascinating look at rural life in Western Ireland with excellent description...I also rated your Dialogue, Voice and Language 5. (5 is full marks)

This is very good. I can't think of very much to criticise. It is well written and the characters are all well drawn. The dialogue is good and natural sounding.

This is a well-written story with well-drawn, believable main characters and pretty good dialogue.

The chief complaint has been the pace. There isn't enough happening to get the reader sitting on the edge of their seat. So pace is my new focus. The opening chapters are set in rural Co. Tyrone and reflect the slower pace of life away from the city. The intended hook in the opening is the family dynamic and questions over Tom's financial dealings. 

To help me tackle this I tried a new method of editing. I mentioned in previous posts that I've been reading Write A Blockbuster by Helen Corner and Lee Weatherly. The authors recommend using memo cards to plot out your story. This WIP is complete so I'm beyond that stage. Instead I used individual memo cards to map out the characters, scene, action and points of tension in each chapter.

That gave me a picture of how each chapter contributed to the pace and plot. 

As a result I've already cut 4000 words, which included two chapters, and restructured the opening. Let's hope that improves the reviews further. With some hard work and a bit of luck maybe this one might get closer to publication. 

Writing.ie

I live in a rural area and, combined with my family circumstances, it's difficult to find a writing group. Instead I turned to the internet and sought out writing communities, joining two writing forums, each providing peer review and beneficial in their own way. One in particular has a critique group for women's fiction, which I've found invaluable.

Through the chasm of Twitter I discovered writing.ie and joined their emerging writers programme. It's already proving to be a useful resource and way to meet other writers. Thanks to a link on it for Cornerstones I discovered Write A Blockbuster And Get It Published. This is one of the more pragmatic and easy to follow writing guides I've purchased, dealing with not only writing but the submission process. 

http://www.writing.ie/member-emerging-writers/lesa-clarke/
Cornerstones: Write a Blockbuster